Newton Booth Tarkington (1869—1946) was an American dramatist and Pulitzer Prize-winning novelist. Among only three other novelists to have won the Pulitzer Prize more than once, Tarkington was one of the greatest authors of the 1910s and 1920s who helped usher in Indiana's Golden Age of literature. In his 1914 work "Penrod", Tarkington presents a series of sketches that depict the adventures of an eleven-year-old boy called Penrod Schofield living...

John Mullan is professor of English at University College London and the author of How Novels Work. A broadcaster and journalist as well as an academic, he has been described as having "a scholar's knowledge worn with a journalist's lightness of touch." He writes a weekly column on contemporary fiction for the Guardian newspaper. Some of the greatest works in English literature were first published without their authors' names. Why did so many authors...

A collection of both previously unpublished works and classic essays includes discussions of recent cultural and political events, social networking, libraries, and the failure to address global warming. "Since she burst spectacularly into view with her debut novel, White Teeth, almost two decades ago, Zadie Smith has established herself not just as one of the world's preeminent fiction writers, but also as a brilliant and singular essayist. She...

A collection of essays from the acclaimed author of Mrs. Dalloway on such subjects as Jane Austen, Geoffrey Chaucer, and her own literary philosophy. A good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in not out. Not written for scholars or critics, these essays are a collection of Virginia Woolf's everyday thoughts about literature and the world-and the art of reading...

Presents the original text of Shakespeare's play side by side with a modern version, with discussion questions, role-playing scenarios, and other study activities.

Less than a year before his death in 1972, John Berryman signed a contract with his publisher for a book of prose, The Freedom of the Poet, for which he had made a selection from his published and unpublished writings. In his draft of a prefatory note, he acknowledged the influence of Eliot, Blackmur, Pound, and Empson on his critical thought, pointing out that "my interest in critical theory has been slight," and concluding: "But I have also borne...